Student Gallery

Image Manipulation

cheng Image Manipulation project Cherniss Image Manipulation Clemmons Image Manipulation Fernandez Image Manipulation Fong Image Manipulation Su Image Manipulation Titov Image Manipulation

Colorizing Photos

Woodbury Full Body Colorization To Full Body Colorization Kim Full Body Colorization Cucchiara Portrait  Colorization Clemmons Full Body Colorization Chen Potrait Colorization

Pop Art (Lichtenstein)

Lee Lichtenstein Kolden Lichtenstein kincaid lichtenstien Gong, Jasper Lichtenstein Farrell  Lichenstein cardenas licthtenstien Brady Lichtentenstein Stinn Lichtenstien Ramsey Lichenstien perez lichtenstein Low Lichenstein Lin Lichtenstein Leong Lichtenstein zelaya lichenatien Yee Linctenstien Wood lichtensten To Lichenstein Titov Lichtenstein psd Su Lichenstein

Color Wheel Design

Chen color wheel design Clemmons color wheel design Louie color wheel design Li color wheel design  Kolden color wheel design Flores color wheel design Dutchover color wheel design Padilla color wheel design Owen color wheel design Oseguera color wheel design Mok color wheel design  Low color wheel design  Shak color wheel design Poon color wheel design poerink color wheel design Pangelina color wheel design-1 Yu color wheel design Wood color wheel design Wong color wheel design  To color wheel design tang color wheel design

Portraiture in Illustrator

To Portrait Wong Portrait Wang Portrait Tang Portrait Stinn Portrait Shak Portrait Posada Portrait Phillips Portrait Perez Portrait Pangelina Portrait Padilla Portait Owen Portrait Low Portrait Li Portrait Lee Portrait Mok Portrait Mialik Portrait Mashaw Portrait Lin Portrait Lee Portrait Kincaid Portrait Kim Potrait Hu Portait Khatri Portrait Flores Portrait Fong Portrait Dutchover Portrait Farrell Portrait Cucchiara Portrai Arteaga Portriat Choi Portrait Yee Portrait Woods Portrait Wong, J Portrait

 

C-R-A-P

Contrast Repetition Alignment Proximity = CRAP = The 4 Basic Design Principles

 

Power Point Introducing the concept of C-R-A-P    Contrast- Repetition- Alignment- Proximity C-R-A-P Ppt

Contrast Poster 


Due: Friday, August 30, 2013

Screen Shot 2013-08-21 at 6.12.10 PM

Summary: Using our art supplies, make a poster that illustrates contrast. Non-digital.

Guidelines

  1. Use white 11″ x 17″ paper as the foundation for your design.
  2. Design it in landscape format: with the 17″ edge going left-to-right and the 1″ edge going top-to-bottom with a 1″ border on all sides.
  3. You can use any of the available materials to complete your ad: markers, colored pencils, crayons, rulers, compasses, and stencils. Do not cut pictures from magazines.
  4. Start your design in pencil so you can make adjustments before you finalize your design.
  5. Design your poster with the following elements:
    1. The word “contrast” should appear three times in three very different styles of lettering.
    2. Each time, the letters in the word “contrast” should be at least two inches high.
    3. Restrict your color selection to three very different (contrasting) colors plus the white of the paper. Using only three colors will unify your poster.
    4. Put a contrasting background rectangle behind the word “contrast” at least once.
    5. Thick “bubble” letterforms will work best for this. Do your best to create outlines for the letters and fill them in, rather than writing the word “contrast”.Screen Shot 2013-08-21 at 6.11.11 PM
  6. Make it neatly. Use a ruler. Take your time.

Repetition Poster 


Due: Due: Friday, August 30, 2013

Screen Shot 2013-08-21 at 6.12.29 PM

Summary: Using our art supplies, make a poster that illustrates repetition. Non-digital.

Guidelines

  1. Use white 11″ x 17″ paper as the foundation for your design.
  2. Design it in landscape format: with the 17″ edge going left-to-right and the 11″ edge going top-to-bottom with a 1″ border on all  sides.
  3. You can use any of the available materials to complete your ad: markers, colored pencils, crayons, rulers, compasses, and stencils. Do not cut pictures from magazines.
  4. Start your design in pencil so you can make adjustments before you finalize your design.
  5. Write the word REPETITION in letters at least two inches high somewhere on your poster, so they can be read across the room. Check your spelling!
  6. The rest of your poster must be arranged like this:
    1. At least four identical items or shapes repeating in an orderly fashion; this is consistency.
    2. An additional item that is nearly identical but different in a distinctive way; this is unity with variety.
    3. Here are some ways to make this single item distinct:
      1. Make it significantly bigger or smaller, or
      2. Make it a very different color, or
      3. Flip or turn the item, or
      4. Put the item on its own, away from the other, orderly items.
  7. Make it colorful.
  8. Make it neatly. Take your time.

 

Alignment Poster 


Due: Due: Friday, August 30, 2013

Screen Shot 2013-08-21 at 6.33.43 PM

 

Summary: Using our art supplies, make a poster that illustrates alignment. Non-digital.

Guidelines

  1. Use white 11″ x 12″ paper as the foundation for your design.
  2. Design it in landscape format: with the 17″ edge going left-to-right and the 1″ edge going top-to-bottom with a 1″ border on all sides.
  3. You can use any of the available materials to complete your ad: markers, colored pencils, crayons, rulers, compasses, and stencils. Do not cut pictures from magazines.
  4. Start your design in pencil so you can make adjustments before you finalize your design.
  5. Write the word ALIGNMENT in letters at least two inches high somewhere on your poster, so they can be read across the room. Check your spelling!
  6. The rest of your poster must be arranged like this:
    1. THREE identical shapes/images, which are close to each other and aligned along an imaginary vertical line, which is at least ½ inch from the left edge.
    2. THREE identical shapes/images, which are different from the first three, and are close to each other and aligned along an imaginary vertical line, which is at least ½ inch from the right edge.
    3. The top shape/image in each group should be aligned along an imaginary horizontal line, which is at least ½ inch from the top edge.
    4. If you can make your items align with the word “alignment” in some way, that’s even better.
  7. Make it colorful.
  8. Make it neatly. Take your time.

 

Proximity Poster 


Due: Due: Friday, August 30, 2013

Screen Shot 2013-08-21 at 6.11.43 PM

Summary: Using our art supplies, make a poster that illustrates proximity. Non-digital.

Guidelines

  1. Use white 11″ x 17″ paper as the foundation for your design.
    1. Design it in landscape format: with the 17″ edge going left-to-right and the 1″ edge going top-to-bottom with a 1″ border on all sides.
    2. You can use any of the available materials to complete your ad: markers, colored pencils, crayons, rulers, compasses, and stencils. Do not cut pictures from magazines.
    3. Start your design in pencil so you can make adjustments before you finalize your design.
    4. Write the word PROXIMITY in letters at least two inches high somewhere on your poster, so they can be read across the room.
      1. The rest of your poster must be arranged like this:
      2. FIVE identical shapes/images, which are close to each other.
      3. THREE identical shapes/images, which are close to each other and different from the five, mentioned above.
    5. Make it colorful.
    6. Make it neat. Take your time.

 

Beg. Graphic Arts

Welcome to Beginning Graphic Design!

Course DescriptionBeginning Graphic Design class will introduce you to the idea of using images, typography, and page layouts to communicate a message to an audience. Projects are designed to help you learn graphic design techniques and will work toward developing the skills needed to complete increasingly complex projects. We will learn various applications-Photoshop, Illustrator, and InDesign. Famous works of art from the past and present will be studied and used to give direction, showing you a wide range of styles and techniques, as well as possible solutions to problems. You will learn vocabulary related to looking at, talking about, and writing about art. You will be expected to discuss your work and your artistic process both verbally and in writing. No background or previous art classes are necessary. The most important thing you can bring this class is an open mind and willingness to put forth the effort needed to complete projects successfully and on time.

Course Objectives:  While completing this course, students will have the opportunity to demonstrate proficiency in the following areas:

  • Acquire and develop the skills needed to creatively solve visual communication problems.
  • Understand, develop and employ visual hierarchy using images and text.
  • Analyze and utilize a broad range of aesthetically, historically and culturally diverse approaches to design.
  • Distinguish and interpret various types of typography.
  • Utilize a broad range of type styles in combination with visual images.
  • Understand how graphic design may be used as an international visual language.
  • Recognize assessment of art as a tool to use in order to measure growth and to manage the learning process.
  • Acquire the ability to critique and judge your work based on the opportunities and experiences afforded to you during the learning process in the classroom.

 

AP Studio Arts 2-D Design

Welcome to AP Studio Art 2-D Design!

Course DescriptionThe Advanced Placement (AP) Studio Art program makes it possible for highly motivated art students to develop mastery (quality) in concept, composition, and execution of 2-D design artwork.  Students will apply their knowledge of the Elements of Art and the Principles of Design using a wide variety of media in creating quality, original works of art.

This course helps provide students with a collection of artwork for a college / art school level portfolio. Students have the opportunity to take the AP Art Studio (2-D Design) exam in May of the school year by sending in a portfolio of their work. This portfolio must include:  5 original works of art, a concentration of 12 works of art, and 12 works of art that show breadth (knowledge of the Elements of Art and Principles of Design mastered through technical skill and media).  College credits may be earned based upon the portfolio sent in for grading.  Students should investigate how individual colleges accept and apply Advanced Placement credit in the AP Studio Art program.

Course Objectives:  While completing this course, students will have the opportunity to produce a portfolio of art work that demonstrates:

  • Your skills and craftsmanship,
  • Your breadth of artistic knowledge
  • Evidence of exploration and personal expression

Note:  You may wish to use your portfolio to apply for AP college credit, and/or admission to a college or university, or art school.

Your portfolio will demonstrate a high level of competence in:

  • Project development through journal work
  • Visual problem solving from conception to execution
  • Technical skill
  • Personal style and expression
  • The principles and elements of design